FINE ART & SOCIAL PRACTICE

Social Practice is a fine art methodology situated in the synthesis of relational ethics and community collaboration.

It functions as a foundational mechanism for social architecture, wherein the creative process manifests as informal and formal policy, communal values, and normative routines.

By repositioning fine art as a system of societal organization, the practice moves beyond mere representation and into the active governance of human interaction.

Through a decolonial lens of Sound and Noise—intentionally divorced from the hierarchies of Western music theory and pedagogical constraints—this methodology explores the raw frequency of existence. In this space, Social Practice defines the vital relationship of human consciousness as it oscillates between the World, the Other, and the Self.

My approach to the fine art of social practice focuses on aspects of world-building where:

• Listening takes form as engagement, context, and observation.

• Sound becomes an object.

• Fine Art as policy or community based value

• Community and audience acts as the primary collaborator/artist.

This approach treats participation, consent, and context as core materials, shifting the focus from the object created, to the impact, inclusion, and empowerment of the people involved.